With her ensemble, Lumino: "Ranging from 20th-century modernism to contemporary music, Lumino is just the sort of high-execution, high-ambition ensemble that Detroit’s chamber music world so desperately needs. " ---Avant Music News, 11.7.19
With her ensemble, Protea: "a new trio of top-drawer local musicians"---Detroit Metro Times
At Big Ears Festival 2019: "The performance was an expansive 90 minute version of [Harold Budd's] “As Long As I Can Hold My Breath” from Avalon Sutra with ACME strings, Tim Story, Terrence Budd, Sean Connors, Lisa Raschiatore, and Trenton Takaki... I was astonished at how they managed to play such long, slow drone notes and that capacity was stretched to the limit here as the entrancing beauty unfolded in the vintage theater." ---Post-Punk Monk, 8.17.19
With the Aspen Contemporary Ensemble: ''the [Aspen Music] festival in all its glory during the three days...[contained] a chamber music concert with moving, dynamic performances of... Peter Maxwell Davies's anarchic ''Eight Songs for a Mad King'' ---Daniel Wakin, New York Times, 8.11.10
With Amphion Percussion: "Third Coast Percussion member Sean Connors completes a two-fer on the Frequency Series with his Amphion Percussion, a duo co-founded with Peter Zlotnick. Clarinetist Lisa Raschiatore joins the pair for the second oldest tune on the program (from all the way back in 1981), and the one I’m most eager to see live: Morton Feldman’s Bass Clarinet and Percussion. [Performing at] Constellation." ---Time Out Chicago, 11.27.13
With her ensemble, Protea: "a new trio of top-drawer local musicians"---Detroit Metro Times
At Big Ears Festival 2019: "The performance was an expansive 90 minute version of [Harold Budd's] “As Long As I Can Hold My Breath” from Avalon Sutra with ACME strings, Tim Story, Terrence Budd, Sean Connors, Lisa Raschiatore, and Trenton Takaki... I was astonished at how they managed to play such long, slow drone notes and that capacity was stretched to the limit here as the entrancing beauty unfolded in the vintage theater." ---Post-Punk Monk, 8.17.19
With the Aspen Contemporary Ensemble: ''the [Aspen Music] festival in all its glory during the three days...[contained] a chamber music concert with moving, dynamic performances of... Peter Maxwell Davies's anarchic ''Eight Songs for a Mad King'' ---Daniel Wakin, New York Times, 8.11.10
With Amphion Percussion: "Third Coast Percussion member Sean Connors completes a two-fer on the Frequency Series with his Amphion Percussion, a duo co-founded with Peter Zlotnick. Clarinetist Lisa Raschiatore joins the pair for the second oldest tune on the program (from all the way back in 1981), and the one I’m most eager to see live: Morton Feldman’s Bass Clarinet and Percussion. [Performing at] Constellation." ---Time Out Chicago, 11.27.13